Meet BTB Reviewer Teresa Brock

Background: Empty nester trying to get as many book babies into the world as possible.  

Go-To Author: The Orphan X Series by Gregg Hurwitz is something that I always look forward to.  Whatever and whenever the next book in this series comes out I will literally take a day off to read.  I found the first book in the series at a thrift store and the rest is history.  

Author People Should Discover: Robert Dugoni is actually the author that probably started this obsession back up when I read The Extraordinary Life of Sam Hell.  I think that is a book that should be mandatory reading.  If you ever read it you will never forget it.  

Book You Would Recommend From 2025: My top book from 2025 is Welcome to Cottonmouth.  Imagine a town full of retired assassins and assets with secrets, skill and arthritis.  I couldn't get enough of this one.  

Most-Anticipated Book Of 2026: All the Little Houses by May Cobb was my most-anticipated pick for 2026 and for good reason.  It is devious, delicious and full of drama.  A totally over the top binge read.  May Cobb is an auto read author for me.  

Favorite Local/Indie Bookstore: A Likely Story in Midway, Kentucky and Carmichael's Bookstore

Favorite Charities: The Wounded Warrior Project.

Follow Teresa on Twitter or Instagram or contact her via the site.

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View Teresa’s Latest Reviews (book pub. dates)

Beneath a Broken Sky by Joshua Moehlin (5/26/26)
Caller Unknown by Gillian McAllister (5/20/26)
Rules of Engagement by Ward Larsen (5/19/26)
Dear Mother by Rea Frey (4/28/26)
The Caretaker by Marcus Kliewer (4/21/26)
Last One Out by Jane Harper (4/14/26)
A Wound that Will Not Heal by Eric Beetner (4/7/26)
Nothing Tastes as Good by Luke Dumas (3/31/26)
The Survivor by Andrew Reid (3/24/26)
Dig by J.H. Markert (3/24/26)
She Fell Away by Lenore Nash (3/10/26)
Judge Stone by James Patterson & Viola Davis (3/9/26)
Turn Off the Light by Jacquie Walters (3/3/26)
One Beautiful Year of Normal by Sandra K. Griffith (2/24/26)
Adrift by Will Dean (2/17/26)
Children of the Savage City by Elizabeth Heider (2/17/26)
Murder at 30,000 Feet by Susan Walter (2/17/26)
The Hard Line By Mark Greaney (2/17/26)
Cold Zero by Brad Thor & Ward Larsen (2/10/26)
The Better Mother by Jennifer van der Kleut (2/10/26)
Antihero by Gregg Hurwitz (2/10/26)
In Her Defense by Phillippa Malicka (2/3/26)
Impostor by L. J. Ross (02/3/26)
The Cormorant Hunt by Michael Idov (1/27/26)
Detour by Jeff Rake & Rob Hart (1/26/26)
Very Slowly All At Once by Lauren Schott (1/20/26)
All The Little Houses by May Cobb (1/20/26)
The Bourne Revenge by Brian Freeman (1/20/26)
Such Sheltered Lives by Alyssa Sheinmel (1/20/26)
Robber Barons by Rodger Carlyle (1/20/26)
Dead in the Water by John Marrs (1/20/26)
The Method by Matthew Quirk (1/20/26)
Inside Man by John McMahon (1/13/26)
Dark Sisters by Kristi DeMeester (12/9/25)
Silent Bones by Val McDermid (12/2/25)
Dead Ringer by Chris Hauty (12/2/25)
Executive Power by Andrews & Wilson (11/25/25)
Best Offer Wins by Marisa Kashino (11/25/25)
The Picasso Job by Avanti Centrae (11/18/25)
The Adversary by Andrews & Wilson (11/4/25)
The Secret Sand Circle By Christina M. Abt (11/3/25)
Trigger by Jennifer Stockdale (11/1/25)
The Mannequins by C. Toms-Arbel (10/31/25)
Remain by Nicholas Sparks & M. Night Shyamalan (10/24/25)
The Midnight Knock By John Fram (10/21/25)
War on the Porch by Travis Davis (10/16/25)
The Gunman Jackson Swagger by Stephen Hunter (10/14/25)
The Gallery Assistant by Kate Belli (10/14/25)
The Devouring Light by Kat Ellis (10/7/25)
Keep this for Me by Jennifer Fawcett (10/7/25)
Cry Havoc by Jack Carr (10/7/25)
Victim #8 by Traci Hunter Abramson (10/7/25)
Silent Creek by Tony Wirt (10/7/25)
Photograph by Brian Freeman (10/07/25)
The Hitchhikers by Chevy Stevens (10/7/25)
Denied Access by Don Bentley (9/30/25)
The Whisper Place by Mindy Mejia (9/16/25)
The Wasp Trap by Mark Edwards (9/16/25)
Scar the Sky by J. Todd Scott (9/9/25)
Family Ties by Michele Packard (9/9/25)
The Quietist by Daniel David Gothard (9/2/25)
In Deadly Company by L. S. Stratton (9/2/25)
Breathe In, Bleed Out by Brian McAuley (9/2/25)
Spider to the Fly by J. H. Markert (9/2/25)
8114 by Joshua Hull (8/26/25)
Leverage by Amran Gowani (8/19/25)
The Witch's Orchard by Archer Sullivan (8/12/25)
The Art of a Lie by Laura Shepherd Robinson (8/5/25)
A Noble Sin by Andrew Bridgeman (8/5/25)
The Locked Ward by Sarah Pekkanen (8/5/25)
The Ever End by Audrey Wilson (8/5/25)
Departure 37 by Scott Carson (8/5/25)
Fade In by Kyle Mills (7/29/25)
The Confessions by Paul Bradley Carr (7/22/25)
Blood and Treasure by Ryan Pote (7/22/25)
The Red Letter by Daniel G. Miller (7/22/25)
Whatever Kills the Pain by CW Blackwell (7/18/25)
Welcome to Cottonmouth by Jay S. Bell (7/8/25)
Remote: The Five by Eric Rickstad (7/8/25)
The White Crow by Michael Robotham (7/1/25)
Edge of Honor by Brad Thor (7/1/25)
Proof by Jon Cowan (6/24/25)
Gone Dark by Ryan Steck (6/17/25)
Of Flesh and Blood By Hunter Burke & N.L. Lavin (6/10/25)
Sister Butcher Sister by KD Aldyn (6/10/25)
King of Ashes by S.A. Cosby (6/10/25)
Blood Feud by Martin Rooney (6/3/25)
The Ghostwriter by Julie Clark (6/3/25)
Be Mine by Lizzy Barber (5/27/25)
Tell Them You Lied by Laura Leffler (5/27/25)
Lay Your Armor Down by Micahel Farris Smith (5/27/25)
The Safari by Jaclyn Goldis (5/20/25)
The Palace of Sinners and Saints by Ammar Merchant (5/20/25)
Spontaneous Remission By Joel Shulkin (5/13/25)
Fog and Fury by Rachel Howzell Hall (5/13/25)
Marguerite by the Lake by Mary Dixie Carter (5/8/25)
No Man's Ghost by Jason Powell (5/6/25)
See How They Fall by Rachel Paris (04/29/25)
Bop City Swing by ME Proctor and Russell Thayer (4/22/25)
Vatican Daughter by Jonie Marie Iraci (4/15/25)
Streets of Nashville by Michael Amos Cody (4/15/25)
Remote: The Six by Eric Rickstad (4/8/25)
The Impossible Thing by Belinda Bauer (4/8/25)
Dark Rising by Andrews & Wilson (4/8/25)
Heartwood by Amity Gaige (4/1/25)
Flames of Deception by Travis Davis (3/25/25)
Gothictown by Emily Carpenter (3/25/25)
Nowhere by Allison Gunn by (03/25/25)
Where the Bones Lie by Nick Kolakowski (3/22/25)
The Buffalo Hunter by Stephen Graham Jones (03/18/25)
Another Try by Gene Koon (3/10/25)
The Extraterrestrial Zoo by Samantha van Leer (3/4/25)
The Unworthy by Agustina Bazterrica (3/4/25)
The Memory Ward by Jon Bassoff (3/4/25)
Real Bad, Real Soon by Eric Beetner (2/25/25)
Nemesis by Gregg Hurwitz (2/11/25)
Not Our Daughter by Chad Zunker (2/11/25)
Dark Vector by Ward Larsen (2/4/25)
A Long Time Gone by Joshua Moehling (2/4/25)
The Department by Jacqueline Faber (2/4/25)
The Enigma Girl by Henry Porter (1/28/25)
At Dark I Become Loathsome by Eric LaRocca (1/28/25)
Penitence by Kristin Koval (1/28/25)
Johnny Careless by Kevin Wade (1/25/25)
The Spear and the Sentinel By J. L. Hancock (1/18/25)
Tell Me What You Did by Carter Wilson (1/8/25)
The Dragon the Eagle and the Jaguar by Rodger Carlyle (01/14/25)
Assume Nothing by Joshua Corin (12/10/24)
The Good Bride by Jen Marie Wiggins (12/10/24)
Nobody's Hero by M.W. Craven (12/03/24)
Baker by Michele Packard (12/01/24)
The Egyptian Enigma by David Darling (11/26/24)
Out in the Cold by Steve Urszenyi (11/12/24)
Burn This Night by Alex Kenna (11/12/24)
The Lake of Lost Girls By Katherine Greene (11/5/24)
In Too Deep by Lee Child & Andrew Child (10/22/24)
Good Looking Ugly by Rob D. Smith (10/22/24)
Origin Story by A.M. Adair (10/22/24)
The Slate by Matthew Fitzsimmons (10/8/24)
Hometown Vendetta By Traci Hunter Abramson (10/1/24)
Somewhere by Matthew Reed Williams (10/10/24)
The President's Lawyer by Lawrence Robbins (10/8/24)
Not Yours to Keep by Zelly Ruskin (10/8/24)
Fortunate Son by Andrew Bridgeman (09/24/24)
Heroic Measures by Joel Shulkin (09/17/24)
The Bachelorette Party by Sandra Block (9/3/24)
Love You Till Tuesday by M. E. Proctor (08/12/24)
The Chamber by Will Dean (8/6/24)
The Rule of Three by Sam Ripley (8/6/24)
Homecoming Queen by Chad Boudreaux (8/6/24)
Stone Creek by Kate Brandes (8/6/24)
May the Wolf Die By Elizabeth Heider (7/2/24)
Tempest North by Rodger Carlyle (7/16/24)
Show Game by Steve Anderson (7/2/24)
The Midnight Rambler by Don Carr (6/20/24)
Three Burials by Anders Lustgarten (6/18/24)
Dreams in Incarceration by Cillian Dunne (6/18/24)
The Vixen Amber Halloway By Carol LaHines (6/11/24)
The King Street Affair by Jon Sealy (6/6/24)
Moneymaker by Josh Boldt (6/5/24)
A Better World by Sarah Langan (4/9/24)
Relentless by Michael Maloof (11/17/23)
The Hollywood Con Queen by Scott C. Johnson (6/6/23)

Beneath A Broken Sky By Joshua Moehlin

In Beneath a Broken Sky by Joshua Moehling, a violent tornado rips through the small Minnesota town of Sandy Lake, leaving behind devastation and a small community that thrives on tourism trying to recover from wildfires, downed trees and a pretty big economic downturn. When a controversial local mother is murdered after publicly challenging the school system over bullying against her gay son, Detective Ben Packard is pulled into an investigation that exposes deep divisions within the community. As tensions rise and suspicion spreads, Packard navigates a case shaped as much by prejudice and fear as by evidence. While the bodies pile up, Ben is confronting personal struggles and the complicated reality of living openly in a town that does not always welcome him.

I have loved this series from the beginning because it is so deeply character focused, and watching Ben grow into himself has been the real reward. His struggle with identity, the tension within the police force, and the push and pull of small-town life give the story an emotional core that always feels genuine. The town itself becomes a character, full of charm and contradictions, and the familiar touches make it even richer this time around. The issues among these pages are real. Whether the topic is an illegal immigrant, a broken dream or too much alcohol, Moehling’s writing makes it easy to connect with the story.

Between books I find myself looking forward to Ben’s three-legged corgi Frank and the perfectly timed banter between Ben and Jill Theilen, which offers welcome moments to smile amid the heavier themes. You do not have to read the entire series to appreciate this book, but spending time with these characters as they evolve makes the experience even more meaningful. Readers are always allowed a little more into his past and what makes him the man he is today. The mystery is always strong, but what keeps me coming back is Ben’s devotion to his work, his community, and the quiet determination to build a life where he truly belongs.  

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Caller Unknown By Gillian McAllister

Simone Seaborn travels to Texas for what is supposed to be a simple camping trip and long overdue mother daughter time with Lucy, her teenage daughter who dreams of becoming an actress. After a frustrating journey, they settle into their cabin for the night, only for Simone to wake the next morning to find Lucy gone. What follows is not a ransom demand but something far more unsettling. The kidnapper leaves strict instructions, starting with tell no one and absolutely not the police, and demands a series of tasks instead of money. From there, the story becomes a relentless cat and mouse chase that unfolds across harsh landscapes and impossible choices, delivering a tense and original thriller that never lets up and times its twists with precision.

This book hit close to home for me. My youngest just graduated college and the reality of an empty nest is settling in, which made Simone’s fear and devotion feel painfully real. Simone is shaped by a traumatic childhood, and motherhood is the one role she has always chosen with certainty and purpose. Her love for Lucy is fierce, uncompromising, and willing to cross lines most people would never consider. Is it over the top at times? Absolutely. Did I care? Not for a second. Gillian McAllister balances high stakes suspense with the emotional reckoning of a parent who would risk everything for their child, and she does it with confidence and control. This is sharp, intense, and emotionally charged storytelling, and readers should grab it immediately. McAllister remains an auto read author for me, no hesitation.

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Rules Of Engagement By Ward Larsen

In Rules of Engagement, President Jack Ryan is pulled into a global crisis after what should have been a routine diplomatic trip ends in a deadly plane crash in Turkey. Official reports call it an accident. However, with only fifteen bodies recovered and a missing intelligence asset who clearly matters to the wrong people, the hunt becomes a race across multiple countries to uncover who survived, what they’re carrying, and why powerful forces are willing to burn everything to get to them first. As threats stack up and time collapses, Ryan works side by side with his children, trusted allies, and legends like John Clark to connect the dots before a shadow war turns very real.

Ward Larsen absolutely knocked this out of the park. He stays true to the heart of the Ryanverse while bringing a fresh rhythm and edge that feels modern, urgent, and fearless. I loved seeing generations of relationships come back into play, the trust built over decades paying off in high pressure moments where every decision counts. This story feels so relevant, and scary, to think about all of the covert operations unfolding while the rest of us are just living our normal lives, unaware of the chess game happening behind the curtain. It makes you pause and wonder how much of the world is quietly being steered in rooms we will never see.

The action is relentless and wildly creative, from drone dogfights I never knew I needed to pulse pounding extractions that had me holding my breath. Add in cutting edge AI, rapidly evolving tech, and dialogue that crackles with both tension and perfectly timed humor, and you get a thriller that never feels heavy or stiff. Between the burning coffee pots, sharp one liners, and characters who feel real even when the stakes are insane, this book delivers on every level. Smart, fast, authentic and absolutely gripping, Rules of Engagement is the kind of thriller that reminds you why the Jack Ryan series continues to dominate.

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Dear Mother By Rea Frey

Isabelle Archer is many things at once: an investigative journalist trained to chase truth, a mother trying to protect her own child, and a daughter shaped by a childhood that never offered safety or simplicity. Raised in a home full of foster siblings, her past is marked by one child who vanished and three more lost in a devastating fire—an “accident” that never sat right. Illness, fear, and whispered theories trailed the family, all tightly controlled by her mother, Gail, whose grip on the narrative was as suffocating as it was unwavering. When Gail dies, Isabelle returns home expecting paperwork and closure. Instead, she finds autopsy results that crack open the past. What follows is a reckoning—across dual timelines and shifting POVs—that forces Isabelle to relive what she survived and confront what may have been deliberately hidden all along.

This is the kind of book you fall into fast and don’t surface from easily. Rea Frey doesn’t sanitize motherhood, mental illness, or abuse; she leans into the discomfort and lets the mess breathe. The emotional tension is sharp, the atmosphere heavy, and the mystery unfolds with quiet control rather than cheap shock tactics. Isabelle’s love for her mother exists right alongside fear and suspicion, which makes her feel achingly real. The structure is clean, the twists land, and the emotional stakes never feel manufactured. Frey remains an auto-read for me because she understands how to braid psychology and suspense without losing the human core. Dear Mother is proof that family secrets don’t fade—they ferment, and when they finally surface, they demand to be faced.

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The Caretaker By Marcus Kliewer

Marcus Kliewer’s The Caretaker opens with desperation and a choice that feels both reckless and inevitable. After losing their father in a horrific accident, Macy Mullins is barely keeping life together for herself and her younger sister Jemma, while they wait for a life insurance payout that never seems to arrive. The trauma of the accident followed Macy into every part of her life, making it nearly impossible to hold a steady job. Macy applies for a caretaker position at a very remote and isolated house. All of the warning bells are ringing. The man she was supposed to care for is dead, but she is offered nine thousand dollars for three days of work with three thousand paid up front. Turning this kind of money down just isn’t an option. Macy is handed a VHS tape and a list of rigid rules left behind by David, instructions that must be followed exactly if she wants to survive the weekend. The question is not just what she is caretaking, but why the rules exist at all.

From the moment those rules begin, The Caretaker tightens like a vise. Kliewer builds a suffocating atmosphere where literally every action matters and every choice could have a dangerous outcome. The story blends psychological dread with supernatural horror in a way that feels cinematic. The isolated setting, the strange rituals that must be performed in precise patterns, and the growing sense that something ancient is waiting just beyond the edge of the house create relentless tension. As the weekend unfolds the pressure never lets up, escalating scene by scene until the reader feels trapped alongside Macy, questioning every sound and every shadow. It is the kind of story that crawls into your head and refuses to leave.

From the prologue, Kliewer commits to the experience. The fear is not cheap or fleeting. It is patient, intelligent, and deeply unsettling. He understands how to make the reader participate in the terror, turning every page into an act of bravery. The result is a high concept horror story about isolation, ritual, and the terrifying possibility that some rules exist for a reason. The Caretaker is a rare novel that does not just tell you a horror story. It dares you to survive it.

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Last One Out By Jane Harper

Five years after her son Sam vanished without a trace, Ro Crowley returns to Carralon Ridge, the rural Australian town that has nearly disappeared along with him. What once was a thriving community,  is now a hollowed out place being swallowed by a coal mine, with abandoned homes, dust, and silence standing where families once lived. Sam’s disappearance left behind only a rental car and muddy footprints, and Ro is still chasing answers that no one ever found. As she moves through what remains of the town, old secrets surface, the pain of losing a son is still there, and the mystery of what happened that night slowly begins to take shape.

This book was far more emotional than I expected, in the best way. The ache that Ro, her husband Griff, and their daughter Della carry after losing Sam is on every page, the constant wondering, the lack of closure, the way grief quietly tears a family apart. Jane Harper writes this pain beautifully and with so much honesty. The story is very character driven and a true slow burn, letting you sit with the loss, the tension, and the unraveling truth instead of rushing to answers.

Carralon Ridge feels like a character all its own, a dying town shaped by economic devastation and the people left behind who have lost not only livelihoods but hope. This is as much a story about grief and change as it is about a missing young man, about what happens when families and communities are forced to watch everything familiar slip away. The mystery unfolds gradually, but the emotional weight is what truly pulls you in, making this a haunting, atmospheric, thoughtful, and deeply moving read.

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A Wound That Will Not Heal By Eric Beetner

In February 2024, Eric Beetner introduced readers to Carter McCoy.  A vigilante born not from recklessness, but from a terminal diagnosis and the realization that the systems meant to deliver justice were failing the very people they claimed to protect. A Wound That Will Not Heal brings that journey to its most devastating and urgent chapter. Carter moves through a world where grief, violence, and moral consequence are his constant companions.  Carter is a man who has buried his wife and daughter, taken a life, and still carried a stubborn belief that the world should be better than what it is. In this installment, the threat cuts especially deep: men posing as immigration officials exploit fear and power, rounding up vulnerable people for profit under the protection of authority. When their cruelty touches someone connected to Carter, his fight becomes inevitable. What follows is not simply a confrontation, but a reckoning with corruption, with truth, and with the cost of doing what is right when nothing else works.

What makes this book, and the entire trilogy, my absolute favorite is Carter McCoy himself (well I love Chester too!). He embodies a kind of moral clarity and courage the world often seems to lack. He acts when others hesitate. He confronts injustice directly. He protects those who cannot protect themselves. Carter represents a quiet but persistent longing for accountability, truth, and decisive action in a world that can feel indifferent, manipulated, or broken. He is deeply kind-hearted and genuinely wants what is best for others, yet he carries a warning edge, being a man shaped by loss who refuses to tolerate cruelty. Across the series, the stakes grow heavier as his illness advances, and every act of resistance demands more from a body that is failing him. The tension between his weakening physical state and his unyielding sense of justice gives the trilogy its pulse.

I cried reading this book and not only because of its tragedy, but because of the fragile hope threaded through every page. It is powerful, unsettling, and deeply human.  I will miss Carter and Chester and even that old truck, but what I will never forget is the feeling that goodness, determination, and integrity can still exist in a damaged world. These novels offer more than suspense; they offer the possibility that one person’s refusal to look away can still matter. The Carter McCoy series is not an escape from reality — it is a confrontation with it, demanding readers wrestle with justice, accountability, and what it means to stand for what is right when the consequences are permanent.

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Nothing Tastes As Good By Luke Dumas

Nothing Tastes as Good by Luke Dumas is a chilling and unsettling look at diet culture wrapped in a disturbing horror story that feels uncomfortably close to reality. Emmett Truesdale has struggled with his weight his entire life, and living in image-obsessed Southern California only magnifies every insecurity. After years of failed diets, social rejection, and feeling like he will never measure up, Emmett enrolls in a clinical trial for a revolutionary weight-loss drug called Obexity. The results are immediate and dramatic—pounds drop quickly and for the first time people begin to see him differently. But the miracle treatment comes with side effects that no one fully understands, and with enormous money and reputation riding on the drug’s success, some consequences are quietly pushed aside as Emmett’s transformation takes a far darker turn.

This novel feels painfully real. Beneath the body horror and moments of gore is a heartbreaking exploration of diet culture, social media pressure, and the cruel expectations placed on bodies in our society. My heart genuinely broke for Emmett. All he wanted was to feel comfortable in his own skin and be accepted for who he was. Even as he begins achieving the results he thought he wanted, he remains trapped in the same emotional isolation. The structure of the book adds another layer of immersion with the inserts from Emmett’s blog posts, social media updates, and the clinical notes tracking his progress. Watching the numbers on the scale drop while simultaneously seeing the shifts in his physical, mental, and emotional state was both fascinating and disturbing, and the small satirical jabs at diet culture (EmaC-8 and more) along the way were brilliantly done.

After speaking with Dumas at Bouchercon and reading the author’s note at the end (which is absolutely worth your time), it becomes clear that there is a deeply personal element woven into this story. That authenticity shines through on every page. This is horror that is disturbing, a little gory, and thought-provoking in equal measure, forcing readers to confront the uncomfortable reality of how much value our culture places on appearance and acceptance. And just when you think everything has wrapped up neatly, Dumas delivers a final twist that lands perfectly. If you enjoy horror that unsettles you while also giving you something meaningful to think about long after the last page, this one is definitely worth picking up.

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The Survivor By Andrew Reid

Told in alternating points of view, the story moves between Ben Cross—an anxious, seemingly unremarkable young man harboring lethal secrets from his past—and NYPD Transit Detective Kelly Hendricks, who is just as determined and dangerous in her pursuit of justice.

The Survivor by Andrew Reid is a white-knuckle thriller that grabs you by the throat and doesn’t let go. Set almost entirely on a hijacked New York City subway train, the novel creates an atmosphere of claustrophobic tension that feels both cinematic and immediate. With each new car, the stakes rise, the body count climbs, and Ben Cross is pushed to his limits—not just physically, but emotionally. Reid’s ability to balance breathless action with psychological depth keeps the reader on edge, questioning not just who’s behind the terror, but how far one man will go to survive.

No matter how much time passes, the past doesn’t stay buried—it waits. And when it rises, it does so piece by piece like the delicate clicks of tumblers turning in a lock. A flash of memory here, a whispered lie there—each revelation falling into place with precision. Until, finally, with a deep metallic clunk, the last secret is exposed, and everything once hidden swings wide open.

This is a lean all the way in and hold the hell on kind of book.  

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Dig By J.H. Markert

Dig drops you onto Crow Island, a fictional coast near Savannah that feels real enough to raise goosebumps. The Geechee and Gullah folklore is not window dressing. It is the heartbeat of this story. Boo hags, haints, rituals — they are alive on these pages. And yes, I fully went down the rabbit hole on boo hags and immediately regretted it because nothing prepares you for a skin-shedding spirit that rides your sleeping body and steals your breath. If that doesn’t terrify you, I cannot help you. 

This book blends horror, history, supernatural dread, generational trauma, and buried family secrets until you have no choice but to dig for the truth right alongside the characters. Every layer uncovers another lie and another echo from centuries past. Markert handles it with intention. The human darkness and the otherworldly darkness show up with no apology.

I’m not gonna lie — this one got under my skin. I had nightmares. I switched to daytime reading like a coward and still couldn’t look away. Markert, a Kentucky author with a fearless storytelling style, built a world soaked in atmosphere and dread. If you’ve ever wondered what happens to your dreams, or what would happen if your worst one came true, Dig belongs on your list immediately.

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The Poisoned Pen

She Fell Away By Lenore Nash

In She Fell Away, Lenore Nash introduces Lake Harlowe, a U.S. State Department diplomat whose new posting in New Zealand quickly turns into a search for a missing American teen, Bowie Bishop. What begins as a disappearance unfolds into something far darker, pulling Lake into a web of power, secrets, money and buried truths. As the investigation deepens, so does the story’s emotional core, revealing Lake’s own past growing up in a cult and the lingering trauma that still shapes her choices. The case becomes more than a mission. It becomes personal, especially as the connections between Lake, Bowie, and the complicated relationships with their mothers begin to surface.

I was pleasantly surprised by the emotional depth running beneath the tension. Nash’s background in historical romance shines through in the immersive writing and carefully built atmosphere. This is not a breakneck thriller chasing plot alone. It is deeply character driven, spending real time inside Lake’s grief, guilt, and internal struggles. The dynamics between Lake and her mother, Bowie and her mother, and the growing connection between Lake and Bowie give the story weight and urgency. Lake’s childhood trauma unfolds slowly, revealing pieces of a painful past that adds another layer of intrigue and keeps the emotional stakes high.

Pick this up if you want a thriller with substance and mood, one that values psychological complexity as much as suspense. The tension is steady, the emotional threads are compelling, and Lake Harlowe feels like a character with much more to reveal. I am genuinely excited this is the start of a series because her story feels far from finished, and I want to see where her journey goes next.

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Judge Stone By James Patterson & Viola Davis

Set-in small-town Alabama, Judge Stone by Viola Davis and James Patterson introduces Judge Mary Stone, a woman whose family has been woven into the fabric of Union Springs for generations. She is respected, resilient, and shaped by experiences most people could never imagine surviving. As the town wrestles with its own slow transformation, deep divisions simmer beneath the surface. Issues like racism, religion, politics, class, and education are all pressing in when a devastating case lands in her courtroom. A thirteen-year-old girl is raped and undergoes an abortion, and when complications arise, the doctor who performed the procedure is arrested. What follows is a storm of public outrage, threats, and political pressure as Mary Stone must uphold the law while confronting impossible moral questions about faith, justice, and the cost of forcing a child to carry a pregnancy born from violence.

Patterson and Davis fearlessly lean into the discomfort that is caused by the issues on these pages. This book does not present easy answers or tidy resolutions. Instead, it exposes the fractures within a community and challenges readers to examine their own beliefs about bodily autonomy, religion, and legal responsibility. The story forces you to sit with questions most people would rather avoid. Where does justice truly live — in the letter of the law or in compassion? What happens when personal faith collides with professional duty? The emotional weight here is immense on so many levels and on so many characters. The tension builds not just through courtroom drama but through the psychological strain placed on Mary Stone as she navigates threats to her safety, her reputation, and her conscience.

This is a devastatingly beautiful read that demands engagement rather than passive consumption. It asks the right questions and refuses to soften their impact. The writing balances urgency with emotional depth, creating a story that feels both intimate and relevant. Judge Stone is more than a legal thriller, it is a meditation on power, beliefs, and the human cost of laws and legal systems that often fail the very people they claim to protect. Sometimes there simply is no right or wrong answer.  

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Turn Off the Light By Jacquie Walters

Turn Off the Light unfolds across four hundred years, anchored to one house that refuses to stay quiet. In the past, Edith is a healer whose knowledge of plants and nature makes her useful and feared in equal measure, a woman labeled dangerous simply for knowing too much. In the present, Claire returns home carrying her own grief, a sister who vanished, a father slipping away into end stage dementia, and a life already frayed at the edges. The story moves between their perspectives, stitching together history and horror as the house reveals its long memory of fire, loss, and unanswered questions. Walters lets the pieces surface gradually, trusting the reader to connect them, until the past and present finally speak to each other in ways that feel both inevitable and unsettling.

This is a haunting, slow burn kind of read, the kind that creeps under your skin leaving you wanting more and needing to know the truth. The house is more than a setting, it is a witness, a keeper of secrets, and sometimes the loudest voice in the room. Walters blends supernatural tension with historical weight, giving the story depth beyond the scares and reminding us how often women like Edith were punished for knowledge instead of praised for it. It is a smart, patient novel that rewards attention, tying its threads together with care and confidence. This is one of those books you do not rush through or overshare about. You turn the pages, lower the lights, and let it do what it came to do, then sit there afterward thinking about how much the past loves to linger and how rarely it ever lets go.

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One Beautiful Year Of Normal By Sandra K. Griffith

When August Caine was eleven, her father was murdered and the crime was never solved. In the aftermath, her mother, Claire, fell into debilitating depression, leaving August largely on her own in New York City until her Aunt Helen intervened and Claire was placed into care. August then spent a single year in Savannah with her aunt, a brief and defining period where life felt safe and ordinary. Years later, August receives a phone call informing her that Aunt Helen has died and that she is the sole heir to her estate. The news is jarring. August had been told her aunt died fifteen years earlier. Returning to Savannah means stepping back into a history shaped by omission, loss, and carefully maintained silence.

This mystery is rooted in mental illness, generational secrecy, and withheld truth. The novel unfolds through alternate timelines that slowly expose the fractures in August’s understanding of her own life. As she moves through Savannah, the family history she was never allowed to know emerges in pieces, each revelation complicating the last. The suspense here is character driven rather than plot heavy, built on what August remembers, what she was protected from, and what was deliberately hidden. Griffith allows tension to grow through emotional recognition instead of shock, creating a quiet unease as August begins to see how survival shaped the version of reality she was given.

I am a sucker for a debut author, and this one earned my trust early. Set in Savannah, the novel immerses the reader in a Southern atmosphere that feels lived in and intimate, where history, old money, and secrets exert quiet pressure all around August. Griffith’s background in psychology is evident in her careful handling of trauma and perception, allowing pain to exist without spectacle. By the end of the book, I found myself longing for normal alongside August, hoping she might reclaim what was taken from her before she understood its value. One Beautiful Year of Normal is thoughtful, restrained, and deeply compassionate. This book had a heart, and it never lost sight of it.

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Adrift By Will Dean

Adrift by Will Dean follows Peggy and her son Samson as a spontaneous move onto a rundown canal boat becomes a slow tightening trap. What begins as Drew’s dream of a quieter life to fuel his writing; slowly turns into a world of isolation, control, and fear, where freedom disappears inch by inch. Told through dual points of view, the story pulls you inside a family where love runs deep, even as emotional damage quietly reshapes everything. As Peggy and Samson try to survive the life Drew has chosen for them, the walls close in until escape feels almost impossible.

I will read anything Will Dean writes, and this novel reminded me why. He has an uncanny ability to grab hold of your emotions and refuse to let go. The story is dark, unsettling, and deeply sad, but it also carries an aching tenderness, especially in the unconditional love between a mother and her child. The claustrophobic tension builds with every chapter, mirroring the control tightening around Peggy and Samson, until you feel as emotionally drained as they do. I was grateful I read all the way through the author’s notes, which add even more weight to the story and its real world relevance.

This book comes from a painful place, yet it is one that deserves attention. It explores grief, love, and the quiet ways people can hurt one another even if they are doing what they believe is best. Adrift resonated with me and challenged me to step into someone else’s experience of trauma and survival. It is intense, heartbreaking, and beautifully written. Ten out of ten, an incredible story I will not soon forget.

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Children Of The Savage City By Elizabeth Heider

Children of the Savage City pulls you straight into its world and refuses to let your attention drift for a single moment.  Nikki Serafino is back in Naples working with the Phoenix Seven, the liaison group navigating the impossible space between the police and the US military, and while it is possible to read this as a standalone, you are only cheating yourself. This is book two, and the continuity between the stories is half the thrill, because every character carries history, every choice has weight, and every secret has its own echo. This time the death of a young woman inside the historic Chiesa del Gesù Nuovo spirals into something far darker, all while dangerous debts cling to both Nikki and Valerio like smoke. Then there is Beatrice, Nikki’s mother, and the long shadow cast by her death and the death of her brother Adriano. When Nikki’s father arrives asking for three names she never expected to hear, she knows the past is alive and kicking and not finished with any of them.  The way clues are dropped into place is masterful, like someone feeding you crumbs that you think you understand, until the final pages and one final clue is dangling in front you leaving you needing the next installment.

The multiple story lines in this book are incredible, but it is the texture of Naples that takes center stage. You feel the pulse of the city in its churches, its food, its traditions, and its fierce families who hold their love as tightly as their secrets. Yes, there are a lot of characters.  Get to know them. You need them. Every one of them. They move across both books with purpose and carry their own stories like they have lived there forever. Naples in this series is a maze of beauty and danger built on Il Sistema, the system that shapes its children from the moment they can walk. Crime and survival blur until the difference becomes almost philosophical. The beasts of Naples hunt anywhere they please. Churches. Alleys. Market squares. Homes. Young or old, innocent or guilty, no one is exempt. Cops can be bought. Judges can be bent. People with money can be just as dirty as those with nothing. Everyone needs something from someone else, and no one seems to know who sits at the top of this food chain or if that person even exists.

The plot moves like a chase from beginning to end because Nikki never gets a moment to breathe. She trusts almost no one and with good reason. Trouble loves her and follows her like a dark shadow. And Valerio, who continues to make me root for him at every turn, carries his own broken corners that make him both dangerous and deeply human. As the two of them work to uncover the truth behind the murder at Chiesa del Gesu Nuovo, their own pasts drag them into the underworld of Naples where survival is a skill and loyalty is currency. This story is dark, smart, and emotionally honest. It asks what power does to people and what people will do to protect whatever is left when power strips everything else away. It is atmospheric. It is character driven. It is crime fiction at its finest, and I will keep saying that until everyone listens. Clear your schedule.  Thank me later.

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Murder At 30,000 Feet By Susan Walter

I binge read Murder at 30,000 Feet last night and I have zero regrets. This is a high altitude whodunit with tension that never lets up. When Federal Air Marshal Carlos Renaldo boarded Flight 866 to San Juan, he didn’t expect anything more than a smooth flight. After all, in all his years on the job, no one had ever been in real danger. But this flight was different. A violent storm with a lightning strike that causes a power glitch and when the lights flickered back on one passenger was dead. And suddenly, the calm skies turned into a full-blown crime scene. 

This story moves fast and doesn’t waste a moment. There are so many intersecting threads and multiple narrators including a bridal party, a high school baseball team, solo travelers, and plenty of drama unfolding at 30,000 feet. As the clues come together and the chaos builds in the air, all signs begin to point to one big secret that started in the small town of Crestwood and the suspicious death of Matthew Kessler, a high school baseball player who died in a hit and run accident three years earlier. Everyone has something to lose, and no one is completely innocent

Murder at 30,000 feet  balances action and emotion. The story feels cinematic but still grounded in raw human fear and guilt. It’s more than a murder mystery; it's a collision of past and present, of lies that refuse to stay buried. It's a story of cause and effect and the impact of decisions made. Susan Walter has been, and will stay, on my radar; she knows exactly how to keep the tension tight, the story moving, and the reader hanging on every word until the wheels hit the runway.

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The Hard Line By Mark Greaney

He is known by many names - Courtland Gentry, Sierra Six, The Gray Man, The Violator. Different names, one singular purpose, and in this book that purpose is sharpened to a razor’s edge. From the opening pages, the action never lets up. This story revolves around Gauntlet, a private company contracted by the United States to handle black ops and deniable missions. At the center of it is James Arthur Westwood, a man selling secrets to the Chinese while quietly harvesting intel from inside nearly every three-letter agency. To protect himself, he unleashes hired assassins and sets off a chain reaction that pulls Court into a fight that feels both global and deeply personal.

Things turn brutal when Bulgarian mobsters snap Gentry’s photo, threatening to blow his cover. There is only one solution, and it is absolute. Cleaning house draws the attention of Whetstone through his son, tying revenge directly to Court’s actions. At the same time, Matt Hanley and his Ghost Town team operate in the deepest shadows imaginable. Ghost Town is darker than Gauntlet, more deniable, more dangerous, and when Gauntlet realizes their assassins are being eliminated, they bring the war straight to Ghost Town’s doorstep. Travers, Hightower, Gentry, and the rest suddenly find themselves hunted by another black ops group, and the story becomes a collision of secret worlds that were never meant to touch.

The Hard Line is a little different in how much emotional weight Greaney allows into the story without slowing it down. Court is sometimes fueled by blind rage that is unstoppable and ferocious, but there is also vulnerability I did not expect. Not just from him but from the other operatives as well. Their histories surface, old connections return, and longtime readers will recognize how many threads are finally coming full circle. The dialogue between characters is sharp, revealing, and often electric, easily my favorite part of the book. The technology, the globe-trotting, the relentless pace all hit hard, but it is the humanity beneath the violence that makes this one stand out. This is my favorite book in the series so far, a full throttle story that still manages to dig deep and hit with real force.

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The Poisoned Pen

The Better Mother By Jennifer van der Kleut

This is madness, meticulously crafted. Twisted taunting and utterly intoxicating.

I had the chance to meet debut author Jennifer van der Kleut at Bouchercon this year in New Orleans, and when the opportunity came to read her first novel, The Better Mother, I jumped on it faster than my TBR pile could protest. The story follows Savannah Mitchell, who finds herself unexpectedly pregnant after what was supposed to be a casual hookup. Enter Max’s ex, Madison. A charming, helpful, and just a little too eager to be involved. What starts as an uneasy truce between two women quickly unravels into a dizzying descent into obsession and control. It’s a slick, modern psychological thriller that digs into the dark side of motherhood, obsession, and the illusion of control.

I love it when an author can make me anxious in the best possible way. My eyes couldn't move fast enough across the page making it that I physically needed to know what happened next. The Better Mother delivers exactly that kind of high. It’s smart, unsettling, and eerily believable, the kind of psychological thriller that keeps you up way past your bedtime muttering, “just one more chapter.” Warning - for the love of your nerves, clear your schedule because you’re going to binge this in one sitting.

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Murder By The Book
Once Upon A Crime
The Book Dragon
The Poisoned Pen