I have a particular weakness for debut psychological thrillers, especially when a new author comes out swinging, and In Her Defense absolutely earns that attention. This story unfolds around a very public libel case, where a powerful media figure stands accused of destroying a therapist’s reputation, and the courtroom becomes less about facts and more about perception. The narrative moves between the legal spectacle and the quieter moments that led everyone there, slowly revealing how memory, influence, and fear distort the truth. At the center is Augusta “Gus” Bird, a woman who appears peripheral at first, almost forgettable, until it becomes clear she may be the only person capable of untangling what actually happened.
What impressed me most is how character driven this novel is. The internal lives of these people are as tense and volatile as the external plot, and the emotional stakes inside the courtroom feel just as dangerous as the verdict itself. The unreliable narration keeps you constantly recalibrating your loyalties, questioning motives, and wondering who is being manipulated and who is doing the manipulating. Malicka digs into mental health, vulnerability, therapy, queer identity, consent, boundaries, and toxic mentorship with a precision that feels unsettlingly believable. The exploration of cult-like influence and psychological control is especially effective, forcing you to sit with how fragile our sense of self can be, how easily it can be shaped, and who benefits when it is.
This is not a book that tells you who to root for. You are left circling every character, asking whether they are obsessed, fulfilling a need, protecting themselves, or simply lying to survive. The tension builds slowly but deliberately, rewarding patience rather than rushing to satisfy expectations. Slow burn thrillers aren't for the faint of heart, but stick with it because the ending is...chef's kiss. Philippa Malicka is officially on my radar, and if this is what her debut looks like, I am very ready for what she does next.
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