C. Toms Arbel’s The Mannequins is a debut that does more than just dip its toes into the dark waters of psychological thrillers. It dives headfirst and drags you under with it. This is as much a detective procedural as it is a chilling psychological horror, and it is an absolute banger. DI Cora Steele is a standout, a woman carving her path in a male dominated field with grit, intelligence, and hard earned determination. She feels fully realized, as do the other characters, all three dimensional and layered with flaws, strengths, and motivations that make them feel hauntingly real. The fact that the antagonist remains unnamed for part of the story only heightens the tension, keeping readers guessing while pulling them deeper into the nightmare.
What really sets this apart is how well Toms Arbel handles the pacing and perspective. The novel alternates between the procedural investigation and the twisted mind of a serial killer whose childhood trauma and abuse are revealed in unsettling, gut wrenching detail. You do not just read about the horrors he endured, you feel them, and you grow to loathe the forces that shaped him, especially his mother. The murder scenes are graphic and visceral, written with such sensory intensity that I could hear the bones break and smell the aftermath. It is uncomfortable, but in a way that makes the novel unforgettable.
This is a dark, gritty, and deeply disturbing ride, a story layered with grit, gore, and psychological depth that does not shy away from the horrors of violence or the complexities of human behavior. The mix of horror, murder, and procedural detail kept me awake long past midnight, and as someone who has been eagerly awaiting this release and following the author’s journey, I can say it was more than worth the wait. For a debut, this is astonishingly confident, unsettling, graphic, and impossible to put down.
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